
A. B. Walker, 1909 Theorem: The Skyscraper as Utopian Device, 1909. Reproduced in Rem Koolhaas, Delirious New York (1978).
After the Real Estate summer school, we delve deeper into the WTC towers and set up camp
once again in the vacant towers, awaiting a new purpose. Delirious Brussels!
This time, we tackle the entire tower. We read Koolhaas’ retroactive manifesto in the studio. The
idea of the culture of congestion stands in stark contrast to the condition found in the Noordwijk.
Monofunctional office volumes with identical floor plans and a lifeless plinth stripped of any public
function. No oysters, no boxing gloves.
The structural analysis continues and is compared with other repurposed high-rise projects. This
shows that repurposing is no easy task. Even the concrete composition and consistency vary in
height, requiring different stability measures. Additional reinforcement and piled foundations are
common to save such a monolith.
And yet, it must be possible. A 30-year time limit is absurd for a skyscraper, but, as the surroun-
ding area shows, unfortunately not exceptional. We try to immerse ourselves in the reality of tackling such a project. The scale of the WTC towers quickly proves overwhelming. Developing a total project is unfeasible and perhaps even undesirable. Instead of one investor, it should be possible to approach the project with a consortium. One voice becomes many. We decide to use the same strategy as in Porto and surgically divide the whole into pieces. The Koolhaasian stratification per floor is extended by choosing a spatial fragment that connects the tower and the plinth. As if it were a vertical suburban neighborhood, each fragment receives its own treatment. The Manhattan Skyscraper as a utopian formula for the unlimited creation of virgin sites on a single urban location.
The Flemish dream.